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Architecture as an Art Form essay
 
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Architecture as an Art Form. Custom Architecture as an Art Form Essay Writing Service || Architecture as an Art Form Essay samples, help

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On the face of it, there is no doubt that architecture is an art. Our way of thinking and speaking ordinarily place architecture among the arts, and the great architects are naturally classed with great painters and poets. The building of the Italian Renaissance or Regency London, the Gothic cathedrals of Northern Europe, the Taj Marshal, and the American congress are all widely regarded as examples of artistic magnificence. However, the question of the status of architecture as an art is not easily settled. This is because architecture has dominant features that set it apart from other arts. Architecture has been described as one of the most wonderfully rich art form; perhaps richer than even architects can possibly cope with (Roth, 2007). Architecture cannot be merely described (or thought of) as a mere visual or sculptural art form. Architecture has the potential to elicit emotions, establish and influence relationships, and even influence our thoughts and behaviors (Rendell, 2006).   Architecture is therefore the practical, poetic and philosophical art by which we organize and give form to space; it is the medium by which we make sense of our world spatially and physically. One of the most important features that distinguish architecture from other arts is its usefulness (Roth, 2007). Architecture is useful in a way that other the other arts are simply not (Roth, 2007). The outcome of the architect’s activity is essentially functional and serves practical purposes. Architecture is therefore defined as an art where form follows function in creating designing structures and creating beautiful spaces based on the ideology of functionality and beauty (Young & Young, 2007). The prescriptive interpretation of form follows function is aesthetic considerations in design should be secondary to functional considerations. Architecture is not just building and an architect needs to really know what he is doing. In fact - the actual building is of little or even no consequence compared to the functionality of the structure or the building. An architect is required to have the understanding of why people require the space or structure and how it is going to be used, so as to understand how to create a functional space (Roth, 2007). This implies that architecture requires artistic as well as scientific approach.  Architects must design structures that have the required relationship with people using them- not just to bricks and motar.
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Throughout history and even now, architecture has involved complex and expensive structures, but it might equally involve no more than drawing a circle on a beach, sweeping an area of ground clear of scrub for a ceremony; or even as little as identifying a distinctive landscape features with mythical beings and events. Though difficult to comprehend, architecture deals with the inescapable parts of our lives, and deserves efforts required to understand how it works and how its powers can be used (Rendell, 2006).So as to understand the working of architecture’s common language that has been developed since the humans began to develop by which to situate themselves, their activities, and belonging within their dwelling which they find themselves, it is necessary to include examples from ancient times. This paper will focus on Peruvian art and specifically the Machu Picchu monument.
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A varied assortment of extraordinary architectural styles- ranging from Inca monumentalism to Spanish baroque- can be found in Peru. Other periodic structures can be found throughout Cuzco, as well as saqsaywaman and Pisac. Naturally, the most famous example of pre-Colombian architecture is the impressive mountaintop retreat built by the Incas at Machu Picchu, a site that is dates back to 1440 (Alex, 2003). Examples of the Inca’s skills as engineers and builders lay everywhere in Machu Picchu. On one side of the ridge, the Inca found a way to farm the slopping land by curving it into terraces. On the other part of the ridge, they constructed simple stone houses in which they lived in. their windows and doorways framed views of distant mountain peaks. Engineers designed fountains to provide to provide residents with water for drinking and bathing. The water comes from natural springs.    Composed of roughly 140 constructions connected by more than 100 flights of stone steps, Machu Picchu epitomizes the grand scale of Inca architecture. The five-square-mile estate of magnificent palaces, temples, residences and baths watered by natural springs and surrounded by farms curved into terraces, has intrigued explorers and academicians since it was “rediscovered” by in 1911by an American explorer known as Hiram Bingham. More than 400 years after the Incas deserted Machu Picchu, the extraordinary art and architectural styles still stands as one of the Seven Wonders of the World. The engineering is equally impressive; dry-stone walls are polished and put into place without mortar (Alejandro, 2008).  The outstanding art and architectural features remaining at Inca monumentalism indicates that the Incas Inca were well knowledgeable in art, engineering, and architecture. Art and nature, functionality and beauty, shelter and safety; were all prioritized and intertwined into every aspect of the Machu Picchu complex. The construction blocks were meticulously curved, Polished and fitted together to construct walls of an elaborate geometry. Well designed roadways and travel routes connected the complex to every capital and outpost in the Inca Empire, facilitating easy access and making it to trade. These roadways and walls remains one of the Machu Picchu's greatest undertakings especially in reference to their spectacular and harmonious liaison to the mountainous landscape.Civil engineers and architects still marvel at the location which Incas choose to construct the Machu Picchu estate. Modern engineers would have described the location as an unstable mountain slope, but the Incas not only knew what they were building, but also knew how to build structures that would last an eternity in a locale which could have been described as “a terrible building site" by some civil engineers. Incas knew how to construct with style and elegance. They stonemasons chiseled and polished the building blocks from the gray granite of the nearly 25-acre terraced complex until they virtually glowed. Most of the rooms in the palaces, temples and residences had a splendid view. The complex was perched 1,640 feet above the sacred Peru's Urubamba River, and on a narrow fold that connects two enormous granite peaks. The inhabitants overlooked the cathedral of snowcapped mountain.

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